Most ski films aim for energy —lots of energy. From hucking of cliffs to splashing pristine pow, the legacy of these short edits is to amp up viewers to shred their own gnar. Occasionally, though, a ski edit might follow their subject through tragedy, sadness, or a painful event.

　　But rare is the film that lies somewhere in the middle. Its not melancholy, its not merry — its somewhere … middle. Thats exactly where pro skier Amie Engerbretson finds herself in Blue Hour, a short film thats equal parts inspiration and reflection.

　　Whatever else you expect in a ski film, Blue Hour lands somewhere in between it all.